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If you came to Austria to do the traditional sightseeing and behold its famous attractions then you will absolutely sure spend your time there with pleasure. There’s a sonorous jazzy score from Alex North and the title song co-written with Sammy Cahn is performed by Jimmie Rogers.Looking for Vienna massage? We can offer you the best of it. It’s all beautifully shot in sunny Clinton, Louisiana by Joseph LaShelle where you can practically feel the rays bristle on your skin. Then Newman-Woodward got together with him again for Paris Blues and Newman and he made The Outrage and later Hombre. The year before this he shot No Down Payment with Woodward and after this he worked for a third time with her on another Faulkner adaptation, The Sound and the Fury. Directed by Martin Ritt who would team up with the screenwriters again to make the unforgettable Hud with Newman half a dozen years later. This is flavoursome, angst-ridden and sexy stuff with even Lansbury getting in on the illicit carry on. Get way off! The strong Freudian tropes are magnified by the Method performances from all these Actors Studio alumni – Franciosa is such a wimp but unbelievably sympathetic as the son who can never measure up and does something unbelievable to earn Will’s respect when he’s usurped. It’s great to see his work with Woodward, the first time the couple were paired onscreen – the chemistry is positively sparky and she is powerful in the role. Newman got the Best Actor award at the Cannes Film Festival for his Quick – gorgeous, smooth, probably inherently wicked but persuasive and lovable. It’s vivid, moody, atmospheric storytelling with a standout performance from Welles whose positively Falstaffian character is a riff on Big Daddy from Cat on a Hot Tin Roof the Tennessee Williams adaptation that starred Newman the same year and that story of familial vicissitudes, sex and power struggles is a companion piece to this, its spawn in theme and tone. Adapted from William Faulkner’s stories Barn Burning, Spotted Horses and The Hamlet by husband and wife screenwriting team Irving Ravetch and Harriet Frank Jr., who pick wonderful elements to highlight some indelible characterisation. Will even invites him to live in the family mansion: this is the final straw for Jody … Most people say I’m fightin’ for the twentieth century. After Ben sells some wild horses for Will, he is rewarded with the position of clerk in the general store, alongside Jody. Jody becomes increasingly frustrated, seeing his position in the family being undermined. Meanwhile, Will’s mistress Minnie Littlejohn (Angela Lansbury) is dissatisfied with their arrangement and wants to get married. Will is determined to have his bloodline go on, so he offers to make Ben wealthy if he marries Clara.
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Will schemes to push his daughter and Ben together, to try to bring fresh, virile blood into the family but she is openly hostile to the crude, if magnetic, upstart. Will is also disappointed with the man that his 23-year-old daughter, Clara, has been seeing for five or six years: Alan Stewart (Richard Anderson), a genteel Southern blue blood and a mama’s boy. When Will returns from a stay in the hospital, he is furious at Jody for hiring a notorious barn burner but soon begins to see in Ben a younger version of himself and comes to admire his ruthlessness and ambition, qualities that Jody lacks. Will is away, but his only son, Jody (Anthony Franciosa) agrees to let Ben become a sharecropper on a vacant farm. Clara’s father, Will Varner (Orson Welles) is the domineering owner of most of the town. Ben hitches a ride to Frenchman’s Bend, Mississippi, with two young women in a convertible, Clara Varner (Joanne Woodward) and her sister-in-law Eula (Lee Remick).
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Flame follows that man around like a dog! Ben Quick (Paul Newman) is on trial for barn-burning but when no solid evidence is found the judge expels him from town.